its been a while for mr lovebirds and also the label teardrop to serve some fresh slices of homemade house jam. well, we think it better not to put out every bonus beat we program and rather wait until we have something that really deserves to be thrown in todays pool of musical randomness. do we sound bitter again? sorry, for that … must be the age. so … love & happiness. yeah, i want that and probably everybody does … well here ya go: its a slick slow house bomb with proper oldskool 909 drums and some sliding portamento chords that wont never leave your head!! at least until the breakdown when this track takes you even further back in time to that beautiful intro that has rarely been used more beautifully. its been tested for months now by vincenzo, phonique and mr bird himself and devestated every floor so far. let me put it this way - this is biiiig!!!! flipside is the rain - classic 90ies deephouse with a touch of kerri which we all love right? this has the typical lovebirds warmth that we all need in these modern techno times. and in this autumn too. none other than mr steve bug took care of the remix and delivered a superb very 90ies new yorican style version. keeping the warmth he added some percussion to it and turned this into a nice builder. enough talk … we are very excited about this release and looking forward to your full love on this one. play it loud and everywhere!! and maybe even chart it if youre a good lad!!

legendary latin sexpop icon ric y martin? the chileans’ answer to menudo? or two of the most distinguished electronic musicians of our time teaming up to take an unforgettable trip through the imagination? dandy jack and ricardo villalobos need no introduction. if you’re reading this, then you already know what to expect. delicate percussive patterns. dream sequences. warm hypnosis. recorded in 1999 and excavated from the vaults for a timely release in an age of increasingly disposable music, alphahouse delivers for everyone seeking a timeless and painstakingly stylish piece of vinyl.

the more dedicated amongst you may have noticed a very limited run of purple labelled 12s doing the rounds earlier this year bearing only the roman numeral for 1990, and comprising of two reworked club classics from the year in question well... this time we are looking back at 1987 hard to believe club music this sophisticated sprang forth from the most rudimentary equipment available it truly was a pioneering age - and its testimony to the enduring power of these raw, formative grooves that they can still easily carry a dancefloor four tracks then ranging from slamming chicago jams, to drug addled english basement music all respectfully rewired for a new generation

after penning several of the classic cuts on manchesters cult pleasure label, martin played an instrumental role in the rise and rise of the citys famous fat city record store and stable of labels. later work as part of j walk led to yet more acclaimed releases, including 2002s superb a night on the rocks lp, beating zero 7 to the buzzer with their expertly executed lounge-funk. here martin returns to those raw fat city roots however, concocting a fierce bass led freak-out which sounds like a super charged lost classic from the golden age of funk ! manchesters fastest rising aussie star rüfdug gets to grips with the flipside, offering up a perfectly executed modern house jam, which lifts the dancefloor elements to a different level with a great deal more dirt and drive ! a killer release were sure youll agree

the long term, super-productive story of class-act producers phonique and tigerskin continues with the next installment on ladies & gentlemen. over 4 tracks (and one more digital bonus) the pair explore their passionate, freaky and funky sides in this, perhaps the most functional release on the label yet! phonique throws us two hot ones with sandman and longdrink. the former skips through tripping, tooly and percussive territories while the latter goes all out with addictive rolling bass and hedonistic synth passages. marrying an old-school flavour with high-end, modern moments, phoniques side of this unmissable 12inch is just as strong as his legendary dj sets! tigerskin then takes centre stage with loop back in time and tonys riff. >in time< grows from a rolling drum array into a surging disco fueled killer, that whisks us away to a brighter age with its soaring strings!

minimal info required - sandwell remix >reality or nothing< (housewerks) on rsb - boom !! custom insert designed by silent servant... hand stamped sleeves !! it took many years for folks to realise that chicagos housewerk records was in fact an outlet for regis and females much praised tech-house productions as >reality or nothing<. after much deliberation we are very proud to present two full eps of lost tracks and uber-current mixes in the sandwell vein with a tip of the hat to the golden age of uk techno house music..

a twinkle, a spark, and there you have it. many will say they saw it coming. at some point you could no longer ignore the signs, and actually youd suspected it all along: glamour is back in the club. berlin has become what new york was in 1981 and aÚrea negrot is the eartha kitt of the post-techno age. as part of hercules & love affair, perhaps the most enigmatic disco-ball band of the present day, the venezuelan disco diva has tackled issues of gender code through a four-four discourse and convinced the world that a slick performance under a strobe light can outdo than anything that has appeared in the light of day. now - as a taste of whats to come on her album next year - she is releasing her first ep on bpitch...

at the young age of just 20 years old, ardalan from the tch dolphin crew in san jose is quickly proving himself to be a leader in the next generation of bay area house music. justin martin quickly recognized his talent when ardalan sent him a 10 minute demo.
after one listen justin thought the track was genius but needed some additional editing and arrangement work. he took on the project and the outcome was >mr. spock<. this dancefloor monster was instantly charted #1 by myself and jesse rose as soon as we heard it. it works. for real.

the musique d hiver pour l ete is all about warm instrumentation with a special emphasis on an intentional lo-fi production. it might even be a statement in an age of digitalism and overproduction. it rides the line between romantic techno and sultry disco!

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

premium edition enthält die maxicd und die 12inch vinyl ... big with someone else, anthony collins, mihalis safras, afrilounge, stephan bodzin , phonique! nayan soukie & fritz windish, born with northern soul, some time in the golden age. steadily digging to find hidden treasures, nuggets have been paving their way the journey is the reward to see if they find hints that may lead straight to the golden chamber where the ultimate music shall lie. follow them deep into the woods if you want to obtain infinite musical fortune and salvation! yeah ?

more serious club action from the serious beats imprint, including tracks by armand van helden & jungle juice, edx, dany p-jazz, fedde le grand & funkerman and andrew bennett.

dj obscurity remix is so called uplifting darkcore with raw beats, drum and bass rythmn and he gave this one his own twist as elements of the original are still in there. dj sim is one of the icons in the early hardcore age!

four cool deep and tech house tracks from uglh & federico locchi, men in trees, art bleek and solan.

roberto bosco is becoming a household name these days in electronic music. he burst on to the scene with a remix of juan atkins classic >game one< in 2007 on orlando voorns nightvision records. since then, hes gone on to get praise from françois k, who has regarded robertos music as having an effortless quality. an almost dazzling sense of ease that masks a very strong foundation. a depth and musical maturity that belies his young age. this penned him to his >my universe< ep release on wave music earlier this year. now, mr. bosco has outdone himself with this 2 tracker ep release for minimalsoul recordings. simply put, its a timeless journey into the new sound of electronic music as we know it today. >biosphere ep< is a diamond in the rough and a positive input to quality underground electronic music!

supported by piemont, marco carola, chris liebing, danny tenaglia, deepchild, orde meikle / soma, igor tchkotoua (pig and dan),philip sherburne, derek plaslaiko, leo leal, axel bartsch, toni d!! this is something of a departure for our label, and one were very proud of. &#8232,,,we are happy to say jules made these 4 outstanding tracks with a lot of soul and passion. a lot of influences have lead to the making of these tracks. his uncle has a recording studio near frankfurt where jules spend endless hours, before he started to play in a soul band at the age of 13! his career as a drummer lead to a final show in berlin in the >tempodrome club< and there would be more to add, but let the music speak for itself..

big with someone else, anthony collins, mihalis safras, afrilounge, stephan bodzin , phonique! nayan soukie & fritz windish, born with northern soul, some time in the golden age. steadily digging to find hidden treasures, nuggets have been paving their way – the journey is the reward to see if they find hints that may lead straight to the golden chamber where the ultimate music shall lie. follow them deep into the woods if you want to obtain infinite musical fortune and salvation! yeah ?

visit bristol and mention the name mensah, chances are that someones going to know the man we are talking about. having become involved in the bristol music scene at an early age, theres no surprise that his productions epitomize the things associated with the citys music ? positivity and progressiveness. having already lent the bouncy number, pulse 80s, to the hench mixtape vol. 1, and getting voted in the as one of the top 10 producers to watch in the dubstep forum awards, mensah provides us with yet more reason to mark him down as one to keep an eye on in the future. the untitled future funk ep is a 6 track release that provides a true insight into the depth of studio-skills this young artist has developed, touching on both the atmospheric and downright funky sides of dubstep. already having had a track placed on the csi tv series (stapleton rd) and with all tracks receiving regular play from the scenes big hitters, we?e excited to present this stunning effort from mensah

desolat are proud to present basti grub. basti is a young talented german producer and label owner from the vibrant frankfurt area. his musical journey begins at the age of 14 with a birthday present - an roland mc303 - and since then basti grub shapes his musical vision day and night. he regularly sent beats and tracks to dice who tested them on the road. after a while we had a collection of tracks for a nice 12inch and we simply had to share this music with you: modern groovin house with influences from all over the place. the 12inch comes on colored vinyl with fine artwork by our man florian pohl and will remain a collectors item.

new order’s 1983 album “power, corruption & lies” back on 180 gram vinyl.

anton price is a jazz drummer turned electronic producer and back again. he has his own space-time continuum in which age-old african rhythms co-exist more or less peacefully with signals from the future. where kid baltan plays chess with tom jenkinson, watching logan s run and drinking battery acid. the 12 inch contains 4 new tracks, while the 15 track cd album gives a retrospective on his works. great idea from this nice belgium label to release a 12 together with a full length cd for a super friendly price! limited availability - only 300 of these packages will be sold!

ltd 2010 repress !!! marco carolas string of recent releases on plus8 and his own 2m imprint are now effortlessly hurtling forward under the weight of their own momentum and the bloody cash ep shows no sign of relenting. in fact if its possible, this collection of four new combustible tunes adds another dimension to his already substantial repertoire. on the title track bloody cash, carola immediately shows his intent, letting fly with a spiraling tribal groove full of bright, crisp percussive elements that stretch skywards towards the sun. the tough, earthy beats keep everything rooted to the ground as he taps into some age-old hedonistic urge, creating a universal groove that rolls out across the oceans before breaking on the shores of each continent with an all encompassing call to dance. the main body of the track incorporates a straight synth stab doused in reverb that sets the scene for the finely crafted main keyboard riff, which is an accomplishment in itself. alternating between two complimentary parts, it elevates the backing track to another level. perfectly balanced and enhanced for maximum danceability, its without doubt one of carolas finest works to date

and the beat goes on as flapjack records 7th vinyl release beats the prohibition laws and is distributed to gin joints around the globe. this big whiskey is brought to you by uk of age and already heavy drinkers jackin box. after many hangovers and oak barrel mishaps, the duo concocted the >licker license ep< which hits hard in the chest and burns all the way down.

thirtyonetwenty is the international dialling code to reach amsterdam. its also the name of amsterdams hot label run by sandy huner, who co-founded techno imprint 100% pure in 1992.
for the 13th release on thirtyonetwenty we welcome gabriele baldi, a young, talented italian whose recent release on label bitten got heavy play from top djs such as oxia, ricardo villalobos and 2000 and one, causing havoc on the dancefloors.
gabrieles passion for music began at a very early age, from piano to rock, blues to soul, funk to 80s … his evolving eclectic musical background provides him with the foundations for his productions now – heavily influenced with deep, house and acid-funk sounds.
this time he is back with two grooving funky (tech) housetracks >all i want< and >crash love<. amsterdams own tom ruijg (bangbang!) finishes it off with a deeper house-take of >all want<.

the needle-drop fuzz that cues sam amidons fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians. stylus magazine raved that amidons sophomore solo album, but this chicken proved falsehearted, was >the most interesting folk album of 2007<. in 2008, bedroom community debuted his third album, all is well, which garnered mediaenthusiasm as a >a goose-bump-manufacturing sonic piece de resistance< (cmj new music monthly).

limited 12 inch picture disc!
bloody beetroots and newcomer colonel up and mister down both did a furious banging nu-electro remix whereas mustang takes us back to the golden age of studio 54. lifelike put his magic touch to craft a melodic neo romantic remix.

fresh 2010 repress !! historia y violencia is a new project exploring the hispanic roots of santiago salazar (dj s2) and j. mendez (silent servant). both producers dissect their latin upbringings as a cinematic theme to create snapshots of the day-to-day blood and sweat that has shaped them as individuals. the sound takes cue from detroit, berlin and chicago to create classic, deep dancefloor tracks. santiago salazar started djing in the early 90s inspired by mix tapes his brother was bringing back from the gay underground scene in los angeles. his style has always been a mixture of house and techno. after moving to detroit, santiago began his music training with mike banks, label founder of underground resistance. he is also half of the duo ican (ican productions / planet e) who have been responsible for some killer techno releases. the central american born j. mendez cut his teeth as jasper in the late 90s/early 2000s, running the california-based cytrax label. a veteran dj from the age of 16, he has performed worldwide in clubs from berlin to osaka. along with technical wizards kit clayton and sutekh, he helped shed light on the small but influential minimal techno scene on the west coast. a chance meeting with karl oconnor in 1999 established a friendship that would later open the door to the sandwell district label in 2006. silent servants sound is a reinterpretation of early 80s post-punk electronics, paired with the deep, metallic sounds of basic channel and downwards.

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

bristol-born and london-based producer rekordah takes charge of lo fi funk records second instalment. as well as running the independent label pollen, rekordah also promotes a series of parties of the same name with efa (which have hosted artists of the caliber of mike slott and slugabed among others), and crafts his own brand of cosmic, dismembered hip hop, in that wonky style everyone is raving about.
>cherry coke< on the a side, is full of bubbling sounds that evoke the soda drink your nephew drinks while he plays with that atari you found in the attic, played over a dilla style beat, whilst in the flip side we find >butternut<, in which p-funk synthesisers rise side to side with space age special effects, frantic syncopated drums and 22nd century boom bap.

after the well received all creation 12s delsin records drops yotokos >wet ink<. yotoko are shifty & domu (jcr, 2000black, archive). yotoko stands for a perfect fusion between broken beat, techno and soul.
their album is not about breaking barriers, but it is their own little twisted version of what they call techno. for yotoko techno can be heard in everything, so as such it is all techno. domu and shifty are influenced by lots of different stuff, soul, jazz, disco, hip hop, techno, some old break beat, new broken stuff.. as well 20 pence mad charity shop finds.. the album is about yotoko making music they think is cool and realizing that all this music is the same no matter what the bpm or groove.
domu started as sonar circle for 4 heros reinforced label. later on active as domu for labels as archive and 2000 black and together with archive label boss volcov for the jcr-label with their album as rima. shifty is domus longtime comrade, making his first musical public appearance as yotoko. the albums artwork will be done by amsterdams machine, who already took care of the kindred spirits releases.

stl is the production alias of stephan laubner who has been releasing material under a variety of pseudonyms on labels likeperlon, smallville, styrax and his own something records imprint over the past decade. stephans productions are like fine wine, they develop, mature and get better with age. his past releases have gained support and charts from detroit luminaries like derrick may & theo parrish to the berghain collective, ben klock, marcel dettmann & steffi. his recent licensing of silent state on cassys new simply devotion mix on cocoon, ames fabric mix, steve bugs the lab and earning the number 1 spot ingroove magazines chart all speak volumes about the level of love and passion he puts into his productions. with stephans check mate he pays homage to a sound we simply adore, a musical conceit only a select few understand, hand crafting his sounds with a variety of analog signal processors, vintage synthesizers and a loving touch reminiscent of the early deepchord years. this is one to treasure, made for repeat listening

volume 3 showcases more of the unique tropical music created in panama in the fertile decades of the 1960s and 70s. panama is the thin, tropical bridge that connects north and south america, and is home to three million culturally diverse people, its music is a soulful blend of latin american, caribbean, european and indigenous forms. from bilingual calypsos to guajira jazz, from tropical guarachas to cumbia tamboreras, panamanian musicians fearlessly combined and brilliantly executed styles that reflected their multicultural environment during a turbulent time in the young countrys history. this collection presents more of the golden age of panamanian music and the music of the combos nacionales on rare recordings that have never been released outside the isthmus until now.

baddies are an indie rock band from southend, essex, who released their debut single battleships in october 2008. identical twins michael and jim webster are joined in baddies by danny rowton and simon bellamy. it has been said that they make hi octane alt pop that recalls the likes of klaxons and queens of the stone age. big, ballsy bass heavy hooks delivered at breakneck speed (bbc)!!

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

cool rollin, dubby and pumpin tech house biggies

>realtime art< - that s how blackisbeautiful call their electronic music art. an analogue idea within the digital age. inspired by the aesthetics of analogue music devices, the first album of the dortmund-based producer team will be released in september via the upcoming cologne-based techno label 200. blackisbeautiful partnered up at the vrstck club in dortmund two years ago. they bonded through their deep connection to analogue art. residency atvrstck and a musical and friendly collaboration were to follow. both look back at long-term musicianship and life experience. while tim dicke paved his way into the electronic scene through being a drummer, bassist and soloartist in punk and hardcore bands and later on as dj, Ümit han quickly moved from djing to producing his own tracks. in 2006, Ümit won the remix contest to gabriel anandas >glücksmelodie< and also released tracks on karmarouge, meerestief, harthouse and other labels. blackisbeautiful created two tracks in real handicraft with alerion and purpur: mesmerizing and enthralling at the same time! music that invites you to dance and yet puts you to rest for a closer listen. attention to detail and experiment-happiness get you addicted to blackisbeautiful: occasional street recordings of sounds in everyday life and sampling of snap-shots run through their dynamic sound images.

stunning new limited october missive - drawn from the well received new recession volume one mix cd. already making waves throughout thedubstep and techno communities, these tunes make the nifty stealth connection between well conceived and executed warehouse moves and thegrimey realities of the low end pressure in evidence here. one of the most futuristic twelves in an age - for fans of scuba - style innovation, slow house and deepest techno

nice price deal !!! the disco spaceship series continues at a pace with number 3 containing the club and dub mix of peter richards walking in the neon. with its classic line speeding through the cosmos under pinned by its tough electronic groove and dark italo synths.. this 12inch caused pandemonium when originally released in 1983 and is now incredibly hard to find. its prototype techno feel and space age lyrics are bound to win new fans today. lets go to another galaxy...

supported by josh wink, chris fortier, troy pierce, alexi delano, xpansul, agaric, mark henning, lee jones, someone else, ...
the brussels based sirius pandi label reaches a rounded 8th vinyl release with two tracks from spaniard labels boss fernando daxta and a remix by greek man of our time mr.statik (memo, rotary cocktail, immigrant, perplex, karloff…).
>drunvalos drums< is a track that has been being tested by fernando with positive audience reactions during live sets in demanding places like toy (stuttgart) electrosonic festival (burgos) or rioma (mexico city). its frequencies between house, techno and minimal make a celebrative ravy drummy atmosphere perfect for those times where warm ups are over… colombian singer natalia davila recently added the consciousness speech during a studio session in mexico city giving the track that special femenine touch.
the flip side of the record is completed by a perfect more retained still criminal drumatic treatment by chief mr. statik and an extra daxtas track, >quien anda ahi<, a more small room title featured in french trax magazine june’s edition cd sampler.

the saga continues with this incredible paradise ibiza sampler 5 feat david vendetta, da fresh, superfunk & rob carroll, dim chris...

top ten of techno dj legend dave clarke and ben sims !! michael walgram, born and still living in steyr, started his dj career at the age of nineteen. that time he was deejaying at small private parties, heating up the vibes with commercial beats. the artist mike turrento was born. however, he soon started to alter his style and went from commercial music to fine, chilly, yet pumping and pounding tribal techno. he is especially known for enriching his sounds with numerous sound effects using different equipment. the hype of minimal techno did not alter his individual style, yet he tried to combine minimal and classic techno with breakbeats. through adding skillbreaks, speedbreaks, scratches and spins he managed to find the perfect mixture and created outstanding classic breakbeat techno sets.

elon returns to dumb-unit with 2 sublime summer works. treading lightly on current trends but with full individual strength he jacks the notion of what a modern techno djs should deliver in this day and age. fxck cuba is a layered and playful excursion into what the post minimal freestyle years have allowed us to achieve. freedom from constraints & styles. he then continues the mood on >right on babe< an ode to slinky summer sex, here elon pushes a dark and nasty feel that will grind hips this summer.next up is a man we have been eyeing for some time and his first foray onto dumb-unit is a stormer. ahmet sisman, the upstart from essen who has already made major waves (including being featured being on sven väths sound of the 9th season), takes the remix to another dimension (so pay close attention). not for the light hearted, this remix a a powerful calling to festival and main room dance floors of the summer, direct, unabashed and loads of fun ahmet is clearly a man with a lot to say and delivers a powerful modern take on dumb units renown sound.

the arctic monkeys much anticipated third effort was co produced by queens of the stone age frontman josh homme and james ford. humbug is a voyage somewhere new - its a richer, darker and more powerul sound. its heavy yet melodic mixing offhand self analysis with verbal assaults. turners charismatic vocals remain centre stage with that sweetening flutter of vibrato. the songs remain stories - fabulously wrought and told, set to thrilling and adventurous music. its a more grown up album of irony, guile, riffs and tunes, yet it still very much the arctic monkeys.

supported by: anja schneider, julietta, brothers vibe, matthias tanzmann, anthony collins, chris wood, gebr?der teichmann, kabale und liebe, federico molinari, nekes, ray okpara, johnny d., sascha dive, ekkohaus, varoslav... reggie hammond was born in borrego spings in 1982. but already at a very young age he decided to leave the californian deserts and moved to london to focus on electronic music. the rolling techno-tool track for the 3rd diaphan release was created during a jam-session and ? as you can easily hear ? it is followed by some very crazy vocals spoken and sang by the >pleasemachine<, who transform it into a song that drives you directly to the dancefloor. with >ungodly< he presents a slow and very deep dub-track proving his frankness for other styles. the release will be completed by george p s pleasemachine-rmx and shows the track from an absolute different point of view. as a bonus you can also find an instrumental version of >pleasemachine< on the next powerful diaphan ep

hailing from adelaide, australia sonny foderas story is starting to gain momentum, having started producing music at a young age he has established himself as one of australias premier deep jackin house djs and producers, artist/remixer. having played along side the likes of chuck love, john larner, derrick carter, the littlemen, audio jack, james curd to name a few, sonny fodera is renowned for his consistently high quality dj sets. as a producer/remixer, sonny fodera continues to exploit his raw musical talents and ever expanding skills with this smokin new release on guest house!!!

one year after >happy meal<, his first 12 on ed banger records, the man behind the uffie project is back with a determinative second ep, >p*n*m*b<. five exclusive tracks mixing in a perfect alchemy the futuristic electro of >constant ovulation< with the freshness of >the bright side< and the techno touches of >age 21< and >liisborg error<, finishing with the groovy cut beat of >flashin< outro

some notorious electronic music talents have started their careers as percussionists. and so did yaya, but his tale is different to all the rest. his new release for desolat takes a unique, upbeat approach to 4/4 beats: combining heartfelt benin influences - samples from dialogue and traditional ballads - with the stretched-out tension and release of balearic and the bubbling pops and stutters of tech house, plus the occasional kickback to a commodore64 high score melody. raised in turin, italy, rhythm was his lifeblood for yassin legali, also known as yaya, from an early age. his father was the lead vocalist and percussionist for mbamina, a band consisting of musicians from benin, zaire, italy and cameroon. mbamina released eight albums, collaborated with artists like manu dibango and salif keita, were sponsored by paco rabanne and played all over africa, including a show for the presidents of senegal and france. their final show was with james brown in paris in 1985 - the year yaya was born. well-versed in his fathers legacy, yaya grew up playing drums and djembe, and at the age of 15, began performing as a percussionist in turin clubs. just one year later, he was already djing, playing funk, soul, afrobeat, house and garage. manu dibango and fela kuti found a spot in his crate next to records by masters at work and dimitri from paris: contrasts of rhythm and structure that pervade his music to this very day.

christopher spero a.k.a glimpse has really made a name for himself the way that producers and djs in this day and age should: by making tasteful music of the highest caliber, and putting substance over style. these two tracks co-produced with frequent collaborator and head of the hypercolour label, alex jones, put that said taste on display in a refined and elegant form of house music.true friends pumps right from the beginning with a chunky rolling kick drum only made denser by the thick brushing percussion that surrounds it. before the beats become to overwhelming a soothing male vocals drifts in reminding how hard it is these days to find a true friend. a stark tune of epic proportions. returning with a similar pressure from drum programming aesthetic, which basically means hefty percussion layered over warm and tumbling drums. æcambria sets itself apart from the a-side with a more open-air vibe. light piano notes float along side softly played wind instruments, creating a surreal dreamlike audio experience that still has the tools to do damage on the dance floor. glimpse and alex jones have really put some true style, grace and class into their music. masters at creating a distinctive sound that exist in the space where warm and lush tones meet musicality and stimulation. a summer record with good vibes scrawled all over it.